Tony Gits on AirPlay Direct

Actor,Musician,Singer,Songwriter

Born in Kingston Jamaica, the reggae capital of the World, Tony is recognized as a talented actor, composer, producer, arranger, guitarist, vocalist and percussionist .Powered by his Rastafarian faith, Tony relocated to Canada in 1975 touring with the internationally known Ernie Smith and his band Roots Revival as vocalist and percussionist.

Tony later became one of the founding members of the Reggae group "BLOOD FIRE" which performed at Reggae Sun splash in Jamaica in 1982. While in the group "BLOOD FIRE" Tony performed as opening acts for some of the World's most famous reggae artists such as Jimmy Cliff, Third World, Steel Pulse, Gregory Issacs, and The Mighty Diamonds,JC Lodge to name only a few.

I went to Canada from Jamaica in the late 70's to visit my cousin Ed, who at the time was the percussionist for Ernie Smith.On this particular day I was to accompany Ed to a rehearsal at the Bathurst Street Theater, this rehearsal was to prepare for a performance that night.As I sat alone in the big ,empty theater watching the band, Ernie became frustrated as the three female background singers failed to sing the harmony correctly.I have no idea what possessed me. I stood up and shouted I can do it. Ernie told me to come up on stage and take the mike, to my surprise I was right on the money.He then turned to me and said he was looking for a background vocalist and percussionist, I immediately said Im your guy. I knew in my heart I had no experience,but this was what I wanted to do. This was to be the beginning of my musical journey.

Along with the glammer and glitter came many responsibilities, I was now chief cook and bottle washer in the literal sense. I was often referred to as, Prento short for Apprentice.My duties were driving the van, cooking washing setting up and tearing down the PA system. It was no fun in the cold and snow.As time passed I grew and developed. All I cared about was the music and did what I had to do to be there. My cousin Ed was employed in the hotel industry and was able to travel occasionally.He often told me I stole his job, but if it were not for Ed I would not have made the link with Ernie. Many years would go by, I knew I wanted moor than singing background and playing processions. I wanted to play guitar, sing lead, write and record songs. Thus began the next stage of my musical journey.

I was born and raised in Kingston Jamaica. We lived five minutes away from "Studio One", the first Recording Studio ever operated in Jamaica. My sister and I had to walk past this studio twice a day on our way to and from school. We would have to take the bus from Cross Roads to Half-Way-Tree. On our daily journey we would notice a long line of musicians and singers hoping to be noticed and perhaps get their "big break" There were all sorts of people hanging around, some were ligitimate others were only looking for an easy victim to rob. One day, while on our usual trip past "Studio One", I felt a hard, sharp implement pushing into my side, I was to be the next victim, the object was a knife and the holder was after my lunch money. This was not a rare occurance, we were frequently parted from our money. Imagine not having any money to get on the bus and having to walk to and from school. Also imagine being at school all day with nothing to eat or drink because some criminal took your money. On one occasion we even got punished by my mother because we got home late as we had to walk home. Later on in life I realized that these people were poor and probably hungry. The phrase "starving artist" comes to mind, they would stand in the hot Jamaican sun with no food or water waiting to get their chance at the big life. Those who wer e noticed would sell their song to Studio One for ten pounds, and even if that song became a hit record that was all they got! As time went on I became well known among the artists and the people at Studio One, this spared me from further robberies and I was allowed to walk in peace. Studio One was owned by the Coxsone,family and Mother Coxsone, soon noticed me. She would give me "test pressings" which were warped and of no use to them. I would hurry home to play them. This was the beginning of my love for and facination with music and the music business. After twentysix years in the music business I am able to understand the hardships those artists faced. It was even more difficult for these pioneers as there were no other studios to go to. They had no choice but to stand and wait and take whatever price was offered for their work.